yyin.volume 01 Book Design
☆ yyin.volume 01 Order
yyin. adopts a Swiss binding format, revealing the beauty of traditional exposed spine stitching when opened. This craftsmanship extends seamlessly into the inner cover layout, creating a visual connection between the book’s structure and its design.
The inner pages are crafted using lightweight paper sourced from Takeo and other renowned Japanese brands, offering a clean and modern tactile experience. The cover showcases yyin.’s signature purple, printed with Pantone specialty ink to achieve a vivid and distinctive color effect.
Book Size: 21.5 x 28.5 cm
Pages: 176
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Sponsor: @auspaper
☆ yyin.volume 01 Order
yyin. adopts a Swiss binding format, revealing the beauty of traditional exposed spine stitching when opened. This craftsmanship extends seamlessly into the inner cover layout, creating a visual connection between the book’s structure and its design.
The inner pages are crafted using lightweight paper sourced from Takeo and other renowned Japanese brands, offering a clean and modern tactile experience. The cover showcases yyin.’s signature purple, printed with Pantone specialty ink to achieve a vivid and distinctive color effect.
Book Size: 21.5 x 28.5 cm
Pages: 176
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Sponsor: @auspaper
yyin.volume 01 Exhibition Desgin
yyin. transforms the concept of an art publication into a three-dimensional space, inviting visitors to step into a creative realm. Featuring eight groups of creators from yyin.volume 1, the exhibition explores yin energy through visual design, photography, music, and video.
The space, resembling an open book, allows visitors to immerse themselves in its world. Each area extends the creators’ works and offers interactive experiences, enabling the concept of “yin” to be seen, felt, and experienced. This journey transcends gender and identity, inviting participants to redefine “yin” and explore the fluidity of gender and intimacy.
Organizer｜yyin.magazine╱dmp.editions
Art Direction｜@natniu
Design Direction ｜Shauba Chang @shaubaaa
Collaborate｜mo_&_a @mo_and_a
Special Thanks｜格式設計展策 @informat_design
Photography｜王世邦 @anpis
Model｜@zeng_yajie @yuanjhen.lu
yyin. transforms the concept of an art publication into a three-dimensional space, inviting visitors to step into a creative realm. Featuring eight groups of creators from yyin.volume 1, the exhibition explores yin energy through visual design, photography, music, and video.
The space, resembling an open book, allows visitors to immerse themselves in its world. Each area extends the creators’ works and offers interactive experiences, enabling the concept of “yin” to be seen, felt, and experienced. This journey transcends gender and identity, inviting participants to redefine “yin” and explore the fluidity of gender and intimacy.
Organizer｜yyin.magazine╱dmp.editions
Art Direction｜@natniu
Design Direction ｜Shauba Chang @shaubaaa
Collaborate｜mo_&_a @mo_and_a
Special Thanks｜格式設計展策 @informat_design
Photography｜王世邦 @anpis
Model｜@zeng_yajie @yuanjhen.lu
yyin. Brand Design
The yyin. brand centers on the essence of "yin," embodying diversity, intimacy, and fluidity. Its logo reflects a harmonious balance between yin and yang energies, expressing inclusivity, softness, and flexibility, while encouraging multi-layered perspectives and modern cultural reflection.
The yyin. brand centers on the essence of "yin," embodying diversity, intimacy, and fluidity. Its logo reflects a harmonious balance between yin and yang energies, expressing inclusivity, softness, and flexibility, while encouraging multi-layered perspectives and modern cultural reflection.
Passing Through Exhibition Visual Design
Special thanks to curator Yu-hsuan for the invitation to create the main visual for the outdoor exhibition at the New Taipei Art Museum.
The main visual employs sketching to depict the unique mountain landscape of the New Taipei Art Museum. Interwoven lines create a dialogue between sketching, drawing, and sculpture. Embedded text reflects on the exhibition's theme—how outdoor sculptures traverse, shape, and ultimately become the space itself—inviting viewers to experience the resonance between art and nature in an open outdoor environment.
Adviser: New Taipei City Government
Organizer: New Taipei City Art Museum
Executive: Forming Project (Lin Yu-hsuan, Liao Cong-hao)
Visual Design: Yagi
Video Production: Aquamarinefilm
Director of Photography: Hsu Po-yen
Post Production: Tsung-Hsun Tsai
Special thanks to curator Yu-hsuan for the invitation to create the main visual for the outdoor exhibition at the New Taipei Art Museum.
The main visual employs sketching to depict the unique mountain landscape of the New Taipei Art Museum. Interwoven lines create a dialogue between sketching, drawing, and sculpture. Embedded text reflects on the exhibition's theme—how outdoor sculptures traverse, shape, and ultimately become the space itself—inviting viewers to experience the resonance between art and nature in an open outdoor environment.
Adviser: New Taipei City Government
Organizer: New Taipei City Art Museum
Executive: Forming Project (Lin Yu-hsuan, Liao Cong-hao)
Visual Design: Yagi
Video Production: Aquamarinefilm
Director of Photography: Hsu Po-yen
Post Production: Tsung-Hsun Tsai
Place x Fragments x Structures: Between Sculpture and Architecture
Exhibition Visual Design
The exhibition’s visual design utilizes layered layouts in three different sizes to convey the spatial and layered relationship between sculpture and architecture. The main visual poster employs archival box paper to evoke a sense of materiality, enhancing the tactile experience of the exhibition. The typeface design integrates the concept of “fragments,” with bold, sculptural forms. Treating the text as stacked sculptural elements, it mirrors the layered nature of the sculptures and reflects the dynamic, evolving structure of the exhibition space, deepening viewers’ perception of the interaction between artworks and their architectural context.
Artists: LIN Yu-Cheng, LIU Chien-Wei, SYU Jia-Jhen, and HUANG Chung-Chieh Curator: HUANG Yao-Sheng Curatorial Assistant: TSENG Che-Wei @tsengchewei
Co-organizers: SLY Art Space, Sculptures and Its Discontents Visual Design: Yagi Wang
Photography: HUANG Wei-Cheng
Exhibition Visual Design
The exhibition’s visual design utilizes layered layouts in three different sizes to convey the spatial and layered relationship between sculpture and architecture. The main visual poster employs archival box paper to evoke a sense of materiality, enhancing the tactile experience of the exhibition. The typeface design integrates the concept of “fragments,” with bold, sculptural forms. Treating the text as stacked sculptural elements, it mirrors the layered nature of the sculptures and reflects the dynamic, evolving structure of the exhibition space, deepening viewers’ perception of the interaction between artworks and their architectural context.
Artists: LIN Yu-Cheng, LIU Chien-Wei, SYU Jia-Jhen, and HUANG Chung-Chieh Curator: HUANG Yao-Sheng Curatorial Assistant: TSENG Che-Wei @tsengchewei
Co-organizers: SLY Art Space, Sculptures and Its Discontents Visual Design: Yagi Wang
Photography: HUANG Wei-Cheng
Art & Design
Poster / Book / Brand
Graphic Photography
Exhibition Planning
From TAIWAN,
graduated with a
master's degree
Communication Design
at Shih Chien University,
often utilizes visual design
and photography as
creative mediums.
Committed to establishing
his core values on the
path of design and art.
